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The stakes are high and the slot machine is hot. Join in and try out this game today. Lower Hell is further subdivided: Circle 7 Violence is divided into three rings, Circle 8 Fraud is divided into ten bolge , and Circle 9 Treachery is divided into four regions.
Thus, Hell contains, in total, 24 divisions. Canto IV Dante wakes up to find that he has crossed the Acheron, and Virgil leads him to the first circle of the abyss, Limbo , where Virgil himself resides.
The first circle contains the unbaptized and the virtuous pagans , who, although not sinful enough to warrant damnation, did not accept Christ.
Dorothy L. Sayers writes, "After those who refused choice come those without opportunity of choice. They could not, that is, choose Christ; they could, and did, choose human virtue, and for that they have their reward.
Without baptism "the portal of the faith that you embrace"  they lacked the hope for something greater than rational minds can conceive.
When Dante asked if anyone has ever left Limbo, Virgil states that he saw Jesus "a Mighty One" descend into Limbo and take Adam , Abel , Noah , Moses , Abraham , David , and Rachel see Limbo of the Patriarchs into his all-forgiving arms and transport them to Heaven as the first human souls to be saved.
The event, known as the Harrowing of Hell , would have occurred in AD 33 or Dante encounters the poets Homer , Horace , Ovid , and Lucan , who include him in their number and make him "sixth in that high company".
After passing through the seven gates, the group comes to an exquisite green meadow and Dante encounters the inhabitants of the Citadel. Dante also sees Saladin , a Muslim military leader known for his battle against the Crusaders , as well as his generous, chivalrous, and merciful conduct.
Dante sees the Alexandrian geometer Euclid and Ptolemy , the Alexandrian astronomer and geographer, as well as the physicians Hippocrates and Galen.
He also encounters Avicenna , a Persian polymath, and Averroes , a medieval Andalusian polymath known for his commentaries on Aristotle's works.
Dante and Virgil depart from the four other poets and continue their journey. Although Dante implies that all virtuous non-Christians find themselves here, he later encounters two Cato of Utica and Statius in Purgatory and two Trajan and Ripheus in Heaven.
In Purg. Canto V Dante and Virgil leave Limbo and enter the Second Circle — the first of the circles of Incontinence — where the punishments of Hell proper begin.
It is described as "a part where no thing gleams". Minos sentences each soul to its torment by wrapping his tail around himself a corresponding number of times.
Virgil rebukes Minos, and he and Dante continue on. In the second circle of Hell are those overcome by lust. These "carnal malefactors"  are condemned for allowing their appetites to sway their reason.
These souls are buffeted back and forth by the terrible winds of a violent storm, without rest. This symbolizes the power of lust to blow needlessly and aimlessly: "as the lovers drifted into self-indulgence and were carried away by their passions, so now they drift for ever.
The bright, voluptuous sin is now seen as it is — a howling darkness of helpless discomfort. In this circle, Dante sees Semiramis , Dido , Cleopatra , Helen of Troy , Paris , Achilles , Tristan , and many others who were overcome by sexual love during their life.
Due to the presence of so many rulers among the lustful, The fifth Canto of Inferno has been called the "canto of the queens". Sometime between and , Giovanni surprised them together in Francesca's bedroom and violently stabbed them both to death.
Francesca explains:. Love led us to one death. Francesca further reports that she and Paolo yielded to their love when reading the story of the adultery between Lancelot and Guinevere in the Old French romance Lancelot du Lac.
Francesca says, " Galeotto fu 'l libro e chi lo scrisse ". John Ciardi renders line as "That book, and he who wrote it, was a pander.
But to that second circle of sad hell, Where 'mid the gust, the whirlwind, and the flaw Of rain and hail-stones, lovers need not tell Their sorrows.
Pale were the sweet lips I saw, Pale were the lips I kiss'd, and fair the form I floated with, about that melancholy storm.
Canto VI In the third circle, the gluttonous wallow in a vile, putrid slush produced by a ceaseless, foul, icy rain — "a great storm of putrefaction"  — as punishment for subjecting their reason to a voracious appetite.
Cerberus described as " il gran vermo ", literally "the great worm", line 22 , the monstrous three-headed beast of Hell, ravenously guards the gluttons lying in the freezing mire, mauling and flaying them with his claws as they howl like dogs.
Virgil obtains safe passage past the monster by filling its three mouths with mud. Sayers writes that "the surrender to sin which began with mutual indulgence leads by an imperceptible degradation to solitary self-indulgence".
In this circle, Dante converses with a Florentine contemporary identified as Ciacco , which means "hog". These events occurred in , prior to when the poem was written but in the future at Easter time of , the time in which the poem is set.
Although the two are often conflated, he is a distinct figure from Pluto Dis , the classical ruler of the underworld. Those whose attitude toward material goods deviated from the appropriate mean are punished in the fourth circle.
They include the avaricious or miserly including many "clergymen, and popes and cardinals" ,  who hoarded possessions, and the prodigal , who squandered them.
The hoarders and spendthrifts joust , using great weights as weapons that they push with their chests:. Relating this sin of incontinence to the two that preceded it lust and gluttony , Dorothy L.
Sayers writes, "Mutual indulgence has already declined into selfish appetite; now, that appetite becomes aware of the incompatible and equally selfish appetites of other people.
Indifference becomes mutual antagonism, imaged here by the antagonism between hoarding and squandering. In the swampy, stinking waters of the river Styx — the Fifth Circle — the actively wrathful fight each other viciously on the surface of the slime, while the sullen the passively wrathful lie beneath the water, withdrawn, "into a black sulkiness which can find no joy in God or man or the universe".
Sayers writes, "the active hatreds rend and snarl at one another; at the bottom, the sullen hatreds lie gurgling, unable even to express themselves for the rage that chokes them".
Little is known about Argenti, although Giovanni Boccaccio describes an incident in which he lost his temper; early commentators state that Argenti's brother seized some of Dante's property after his exile from Florence.
When Dante responds "In weeping and in grieving, accursed spirit, may you long remain,"  Virgil blesses him with words used to describe Christ himself Luke Literally, this reflects the fact that souls in Hell are eternally fixed in the state they have chosen, but allegorically, it reflects Dante's beginning awareness of his own sin.
In the distance, Dante perceives high towers that resemble fiery red mosques. Virgil informs him that they are approaching the City of Dis. Dis, itself surrounded by the Stygian marsh, contains Lower Hell within its walls.
The walls of Dis are guarded by fallen angels. Virgil is unable to convince them to let Dante and him enter.
An angel sent from Heaven secures entry for the poets, opening the gate by touching it with a wand, and rebukes those who opposed Dante.
Allegorically, this reveals the fact that the poem is beginning to deal with sins that philosophy and humanism cannot fully understand.
Virgil also mentions to Dante how Erichtho sent him down to the lowest circle of Hell to bring back a spirit from there.
Canto X In the sixth circle, heretics , such as Epicurus and his followers who say "the soul dies with the body"  are trapped in flaming tombs.
Dante holds discourse with a pair of Epicurian Florentines in one of the tombs: Farinata degli Uberti , a famous Ghibelline leader following the Battle of Montaperti in September , Farinata strongly protested the proposed destruction of Florence at the meeting of the victorious Ghibellines; he died in and was posthumously condemned for heresy in ; and Cavalcante de' Cavalcanti , a Guelph who was the father of Dante's friend and fellow poet, Guido Cavalcanti.
The political affiliation of these two men allows for a further discussion of Florentine politics. In response to a question from Dante about the "prophecy" he has received, Farinata explains that what the souls in Hell know of life on earth comes from seeing the future, not from any observation of the present.
Consequently, when "the portal of the future has been shut",  it will no longer be possible for them to know anything. Farinata explains that also crammed within the tomb are Emperor Frederick II , commonly reputed to be an Epicurean, and Ottaviano degli Ubaldini , to whom Dante refers to as il Cardinale.
In his explanation, Virgil refers to the Nicomachean Ethics and the Physics of Aristotle , with medieval interpretations. Virgil asserts that there are only two legitimate sources of wealth: natural resources "Nature" and human labor and activity "Art".
Usury , to be punished in the next circle, is therefore an offence against both; it is a kind of blasphemy, since it is an act of violence against Art, which is the child of Nature, and Nature derives from God.
Virgil then indicates the time through his unexplained awareness of the stars' positions. The "Wain", the Great Bear , now lies in the northwest over Caurus the northwest wind.
The constellation Pisces the Fish is just appearing over the horizon: it is the zodiacal sign preceding Aries the Ram.
Canto I notes that the sun is in Aries, and since the twelve zodiac signs rise at two-hour intervals, it must now be about two hours prior to sunrise: AM on Holy Saturday , April 9.
Dante and Virgil descend a jumble of rocks that had once formed a cliff to reach the Seventh Circle from the Sixth Circle, having first to evade the Minotaur L'infamia di Creti , "the infamy of Crete ", line 12 ; at the sight of them, the Minotaur gnaws his flesh.
Virgil assures the monster that Dante is not its hated enemy, Theseus. This causes the Minotaur to charge them as Dante and Virgil swiftly enter the seventh circle.
Virgil explains the presence of shattered stones around them: they resulted from the great earthquake that shook the earth at the moment of Christ's death Matt.
Ruins resulting from the same shock were previously seen at the beginning of Upper Hell the entrance of the Second Circle , Canto V. Canto XV Protected by the powers of the boiling rivulet, Dante and Virgil progress across the burning plain.
They pass a roving group of Sodomites, and Dante, to his surprise, recognizes Brunetto Latini. Dante addresses Brunetto with deep and sorrowful affection, "paying him the highest tribute offered to any sinner in the Inferno ",  thus refuting suggestions that Dante only placed his enemies in Hell.
Rusticucci blames his "savage wife" for his torments. The sinners ask for news of Florence, and Dante laments the current state of the city.
At the top of the falls, at Virgil's order, Dante removes a cord from about his waist and Virgil drops it over the edge; as if in answer, a large, distorted shape swims up through the filthy air of the abyss.
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He weeps from his six eyes, and his tears mix with bloody froth and pus as they pour down his three chins. Each face has a mouth that chews eternally on a prominent traitor.
Marcus Junius Brutus and Gaius Cassius Longinus dangle with their feet in the left and right mouths, respectively, for their involvement in the assassination of Julius Caesar March 15, 44 BC — an act which, to Dante, represented the destruction of a unified Italy and the killing of the man who was divinely appointed to govern the world.
Judas is receiving the most horrifying torture of the three traitors: his head is gnawed inside Lucifer's mouth while his back is forever flayed and shredded by Lucifer's claws.
According to Dorothy L. Sayers, "just as Judas figures treason against God, so Brutus and Cassius figure treason against Man-in-Society; or we may say that we have here the images of treason against the Divine and the Secular government of the world".
When they reach Satan's genitalia, the poets pass through the center of the universe and of gravity from the Northern Hemisphere of land to the Southern Hemisphere of water.
When Virgil changes direction and begins to climb "upward" towards the surface of the Earth at the antipodes , Dante, in his confusion, initially believes they are returning to Hell.
Virgil indicates that the time is halfway between the canonical hours of Prime 6 a. Dante is confused as to how, after about an hour and a half of climbing, it is now apparently morning.
Virgil goes on to explain how the Southern Hemisphere was once covered with dry land, but the land recoiled in horror to the north when Lucifer fell from Heaven and was replaced by the ocean.
Meanwhile, the inner rock Lucifer displaced as he plunged into the center of the earth rushed upwards to the surface of the Southern Hemisphere to avoid contact with him, forming the Mountain of Purgatory.
This mountain — the only land mass in the waters of the Southern Hemisphere — rises above the surface at a point directly opposite Jerusalem.
The poets then ascend a narrow chasm of rock through the "space contained between the floor formed by the convex side of Cocytus and the underside of the earth above,"  moving in opposition to Lethe , the river of oblivion, which flows down from the summit of Mount Purgatory.
The poets finally emerge a little before dawn on the morning of Easter Sunday April 10, AD beneath a sky studded with stars.
From Wikipedia, the free encyclopedia. First part of Dante's Divine Comedy. Dante 's Divine Comedy. People by era or century. Desert Fathers.
Contemporary papal views. Aspects of meditation Orationis Formas , For other uses, see Dante's Inferno disambiguation. See also: Malebolge.
See also: Dante's Satan. Series of woodcuts illustrating Dante's Hell, by Antonio Manetti — Dialogo di Antonio Manetti cittadino fiorentino circa al sito, forma, et misure dello inferno di Dante Alighieri poeta excellentissimo [Florence: F.
Giunta, ? Some examples include All hope abandon, ye who enter here — Henry Francis Cary — All hope abandon, ye who enter in!
Sayers Abandon all hope, ye who enter here — John Ciardi Abandon every hope, you who enter. Singleton No room for hope, when you enter this place — C.
Sisson Abandon every hope, who enter here. Durling Verbatim, the line translates as "Leave lasciate every ogne hope speranza , ye voi that ch' enter intrate.
Its popularity assures that Dante would have had access to it. Jacques Le Goff , Goldhammer, Arthur , tr. Dante held that Christ died after having completed 34 years of life on this earth — years counted from the day of the Incarnation.
Luke affirms that the hour of His death was the sixth — that is, noon. If this is the case, then Malacoda is referring to a time which is 7 AM, five hours before noon on Holy Saturday.
MacAllister, p. Sayers , Hell , notes, p. Note on Inferno I. In Robert and Jean Hollander, trans. New York: Random House. Electronic Bulletin of the Dante Society of America.
Sayers, Hell , notes on Canto I. The Cambridge History of Italian Literature 2nd ed. Cambridge University Press. Sayers, Hell , notes on Canto XI, p.
Sayers, Hell , notes on Canto V, p. The Dante Encyclopedia. Sayers , Hell , notes on Canto VI. Archived from the original on October 18, Retrieved The Divine Comedy of Dante Alighieri.
New York: Oxford University Press. McBrien Lives of the Popes: The Pontiffs from St. Peter to John Paul II.
Retrieved 8 March Dante's Inferno. Translated by Mark Musa. Indiana University Press. The Inferno of Dante Alighieri.
Sayers, Hell , notes on Canto XI. Sayers, Hell , notes on Canto XV. Sayers , Hell , notes on Canto XX. The Nervous Breakdown.
Retrieved 7 March Inferno Dante. Dante Alighieri. De vulgari eloquentia De Monarchia Eclogues. Inferno Purgatorio Paradiso Cultural references.
Contrapasso Dante Encyclopedia Enciclopedia Dantesca. Danteum Terragni, Francesca da Rimini media. Drums of Love. Francesca da Rimini Tchaikovsky.
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